Member
朱永菁 Eisei Shu
CEO/Producer
Having worked for Focus Features in distributing Chinese language films in Japan, Eisei became a producer and produced “Riding the Breeze” (2013), and the award-winning “Destruction Babies” (2016). She co-produced with Taiwan on “Take Me to the Moon” (2017) and “The Gangs, the Oscars and the Walking Dead.” She also produced “Super Moli” (2020), a Chinese production with Japanese director Isshin Inudo. She founded ROJI Film in 2018 to focus on developing a new slate of projects for the international market.
真利子哲也
Tetsuya Mariko
Director
His first feature film, Yellow Kid (2009), is a graduate film of the Graduate School of Film and New Media at Tokyo University of the Arts, which won the Dragons & Tigers Award in Vancouver, invited by Hongkong, Rotterdam and San Sebastian . His second feature, Destruction Babies (2016) received numerous awards internationally, including the Golden Leopard for Best Emerging Director at the Locarno Film Festival and the Silver Balloon at the Nantes Three Continents Festival, as well as six awards at the Yokohama Film Festival in Japan. His latest feature, Miyamoto (2019) received the Asia Film Critics Association NETPAC AWARD Best screening play award, and the awards in Japan for the best director at the Nikkan Sports Film Awards, the Blue Ribbon awards, and the Takasaki Film Festival. He has been in Boston as a Visiting Scholar at the Reischauer Institute at Harvard University for one year from March 2019.
Collaborators
白石晃士
Koji Shiraishi
Director
Koji is one of the few survivors of the Japanese suspense wave of the early 00s. His wide range of work include horror, comedy and mockumentary. As a director he strives to deliver films that that entertain the audience. His most notable work include the Japan-Korea coproduction “A Record of Sweet Murder” (2014), “Sadako vs Kayako” (2016) and “Hell Girl” (2019).
